It takes a bit of discovery (by mousing around) to find them, as some of the popup arrows only show up on mouseover. Details: Sidebar with project details, metadata, list of renders and analysis resultsĮvery other feature or setting is accessible within popup menus in each of these areas.Content: This is where all the editing and design happens – Overview, Waveform, SmartEdits and Loops.Sources: A sidebar that includes all the assets (audio files), plugin list, Shapes, Labels, Actions and Layers.The main (and only) window is divided into three areas: Most options show up as animated popups, which saves a lot of (precious) screen estate. What I like about Triumph is that everything is easily accessible without needing to navigate too much. In my opinion, the documentation of a software is almost as important as the software itself – especially when it introduces new methods of working. There are a few videos available on the Audiofile Engineering Vimeo page, but I found myself referring to the Wave Editor User Guide to understand some of the concepts. It is something in between a sound editor and a DAW, which makes it’s workflow a bit different from what most of us are used to, which means that there is a bit of learning curve involved. Its tough to label Triumph as just a sound editor. If you are a Wave Editor user, you might find it easier to get started right away. I’ve used Wave Editor only once (about a year ago), so I was quite new to the workflow. It took a bit of clicking around and reading the user guide (which unfortunately isn’t as extensive as it should be) to get some understanding of what Triumph is capable of. On creating a new project I was greeted with a gorgeous and well designed interface. The first thing that impressed me was how quickly it opened up – almost instantaneous. Installing and registering Triumph was a breeze. It allows “you to be unobtrusively notified when operations complete” Notification Center (for OS X 10.8 – Mountain Lion): I’m still a Lion user and haven’t been able to experience the new Notification Center.Redesigned Meters: Don’t we all need gorgeous looking oversampling meters?.Hardware Output & Channel Mapping: Configurable channel mapping – both at the project and hardware level.Effects Automation: Useful for expressive and detailed sound design.Effects Groups: Probably one of the most useful features – to save a chain of effects as a group.I’m not a fan of these new features in OS X and thankfully they can be turned off from the Preference menu in Triumph Auto Save & Versions: Triumph supports Auto Save and Versions in 10.7 (Lion) and 10.8 (Snow Leopard).Most of tools, actions and processes are AppleScripts, which makes it easy to create custom templates and automate processes AppleScript Support: AppleScript (Apple’s easy to learn scripting language) has been deeply integrated into Triumph.While it does retain majority of the functionality from Wave Editor, it has also been rewritten ground up to take full advantage of the latest features in OS X – Auto Save, gestural input and support for retina displays, to name a few.īefore I dig into the details, here are some of the new features: Triumph, by Audiofile Engineering, is version 2.0 of Wave Editor. There are a few alternatives though – Amadeus Pro ($59.99), TwistedWave ($79.90), Adobe Audition ($349) and Triumph ($79.99). There was a lot of hope pegged on the release of Sound Forge Pro Mac, but we all know how that went. OS X has suffered from the lack of a good and dedicated audio editor.
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